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jgb
Rather late in the day to be catching up on my Afropop, but am currently listening to Kandia Kouyate's M'Bensara (2002). I've had a longtime kneejerk aversion to what was and may still be referred to as "World Music", a term that has so many despicable connotations for me that it's hard to know where to start. Self-righteous, patronizing twits would make extravagant claims for the authenticity and honesty of music made by people whose names they couldn't pronounce and whose homeland they couldn't find on a map, that was probably ripped out of context to fit on a nice, brightly colored CD to be played as a special treat between the other middle-class we're-into-real-music-you-know standards like Van Morrison and the less wacky works of Tom Waits. "So inspiring, so untouched by the crass modern world. Course, if Thatcher has her way we'll all be put in concentration camps for listening to thing like this. Another stuffed mushroom?" Ah, the 80s....

And I'm always reminded of a couple I knew in the late 80s who visited various countries in Africa and came back with a tantalizing if rather drab looking stack of vinyl. "We asked for the real music, the people's music that was recorded there for the people there, the local music, the workers' music, not the anodyne stuff that's being promoted over here." But they couldn't get through the first LP when they got back home to their hi-fi system. It was real and authentic and relevant to the people who made it but it was also badly recorded and very, very dull. It seemed very likely to me that the record shop employees in Kenya or Mali or wherever they had visited had been quick to realize they finally had the chance to shift those crappy old copies of The Local Maize Pickers Union Chorus Sing "Maize, Oh Maize, It's Great" and Other Favorites Volume 7 that weren't selling.

But I digress. The smug voice of old still niggles in the background: ah yes, proper, heartfelt music, not like that Ting Ting and Santogold nonsense young people listen to today. And there's always the fear that Peter Gabriel might put in an unwanted appearance....

Comments

[info]substitute wrote:
Jul. 2nd, 2008 01:13 am (UTC)
The phrase "world music" had and has the same effect on me. "Faraway brown people" as a genre is almost Victorian. When an artist I like ends up in that section I feel almost guilty looking.

It took me a long time to appreciate African pop music because it was in that awful ghetto.
[info]myreccollection wrote:
Jul. 2nd, 2008 03:49 am (UTC)
"He's a musicologist!"
I was, from the early '80s, into the music, but I was also later kind of put off by the superior attitude people had about themselves for listening to this stuff. To me, it was just a relevent to be discovering what was going on in modern Eastern Europe or New Zealand. Why wasn't this "World music"? Because they didn't wear loin-cloths and headresses? What really hit the nail on the head was, sometime in the early '90s when I was working at Waterloo, there was a manager (who I believe still works there) named Hayes who had a radio show on KUT. We got along well, and one night I went along to some jazz show he told me about. He introduced me to this guy that he knew from KUT and said "He's a musicologist! He studies music from all over the world!" To which I responded (Rolling Rock in hand, no doubt) "Really! So am I!" Then Hayes corrected me and said "No he's a REAL musicologist! He studies the music of the world on a PROFESSIONAL level." And I was sort of crest-fallen, because I thought that writing for the Chronicle and other music magazines, having a Austin Cable Access show on music, and blah-blah-blah meant I too was a musicologist too...after all he knew jack diddly squat about Aksak Mobul, Etron Fou LeBlon, Minimal Compact, the Ukranians and Locomotiv GT because that wasn't real music!

BTW I never sold the last two 'Phase 4' lots. I'd be glad to work out a nice deal with you on them and send them your way when we get back from Seattle. Let me know if you're interested!
[info]ortho_bob wrote:
Jul. 2nd, 2008 12:51 pm (UTC)
Re: "He's a musicologist!"
Yeah, I always wondered where the music I liked was coming from if that was "World" music.

Not really that keen on the stuff Enoch Light did after Command, I'm afraid. Although I wouldn't say no to a copy of Spaced Out, just for the cover....
[info]davesmusictank wrote:
Jul. 2nd, 2008 09:29 pm (UTC)
I find the whole "world music" label offputting and i prefer the words "Global music" which is how THE WIRE locates reviews from parts of the world not strictly on a UK/USA/EUROPE axis. I am getting into Afro funk by way of the excellent reissues from Soundway and recently Strut have joined in on the enewed interest of Afro funk.

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jgb
[info]ortho_bob
Florian Bongo-Trapazoid QC
amBLOnGus - 2004

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